amateurs be warned, this is not a small or light flash unit, but it performs.
two professionals recommended this flash and i am glad i took it!
i bought this flash to compliment my 430ex and command it as a slave to be part of a mobile studio setup.
i am using the 580 ex ii as a master with a 550 ex as a slave for a portable portrait setup for school, proms, etc.
much easier to mount on the camera and the head that rotates both directions by pressing a single button is great for going from landscape to portrait mode.
it is wonderful having a "portable studio" without wires or bulky battery packs.
the su-800 equivalent in studio lighting is the wonderful pocket wizard.
i've used it in conjunction as a bounce flash, fill flash and trigger flash for 120v studio strobes that have integrated optical triggers.
it has allowed me to get studio like shots (to an extent) without having to use those giant studio flashes that cost thousands of dollars.
it is interesting to see the variations of shadows and light in a portrait pose simply by moving the flash relative to the subject.
it produces much more natural colors, and no ugly shadows when bouncing the flash off the ceiling thanks to the swivel (portrait or landscape, or anywhere in between), as opposed to the built in flash
it tends to overexpose things closer to the lens in portrait type scenes.
i have used it both in the studio and as fill light outdoors.
just put it on your canon digital camera, turn it on, wait a few seconds and then you can take great photos.
my wife and i are novices when it comes to photography.
summary: if you have an olympus four-thirds system digital slr camera, this is the flash to buy for it.
expensive for an amateur like me, but worth it after my first photo shoot.
you will own not just a speedlight but a portable studio strobe - with ttl metering - and you'll never go anywhere without the hv-1 / fl-50 combination.
now with the very easy to set up fl-50r's i can use studio type lighting for my wedding formals.
i now own three of these and recently used them along with gary fong lightspheres to create an instant pet portrait studio.
i use it for fill flash when i have low light on bird photos.
in a little over 90 minutes, the flash happily illuminated some 300 portrait shots using the flash and a milagrid bouncegrid ii (bg-2) as a diffuser.
i do wonder in retrospect whether a flash like the sigma 530, canon 580ii, or metz 58 would have been sufficent also for use with a shoot through umbrella for small groups of family portraits.
i would recommend this flash to a beginner like me as a hands on unit then you can just upgrade later on.
the menus on the digital readout arent great, but all the info is there.
there are not nearly enough options on the flash to really use it for professional situations.
one can choose to use it in fully automatic mode or canon's e-ttl mode to sync with the camera's shutter speed.
it is ideal for use with zoom lenses which produce a shadow from the pop-up flash and for fill flash in varied conditions such as macro in very contrasting or low light conditions.
(edited july 12th by golomb) i'm somewhat new to slr digital photography.
summary: (edited july 12th by golomb) i'm somewhat new to slr digital photography.
summary: i'm somewhat new to slr digital photography.
4 because is it really worth $100-$150 - my pictures will be much better, but all things considered, unless you are as fussy as i was to get better flash / fill pictures especially portraits, it may
describe yourself: casual user pros: easy to use, lightweight, strong construction best uses: fill flash, lighting, photography
for a beginner, this flash is just the ticket!!
if you want professional results, buy this as soon as you can.
describe yourself: hobbyist/enthusiast pros: consistent output, lightweight, strong construction cons: slow recycling
the sony a 100 is a solid perfomer, and it is my fourth sony digital camera.
sure it has a plastic hot shot, can you ever imagine a camera company will make their top notch and professional flash with a plastic hot shoe?
although this fine lens is optically based on the famous contax carl zeiss 85mm f1.4, its digital performance is more reminiscent of a medium telephoto lens, than that of a fast portrait (short
the high-speed flash synch is a blessing to anyone wishing to do outdoor portraits, and wishing to use a large aperture to put the background out of focus.
enough to set up your own lighting studio for excellent images.
that's a very good product for a beginner with eoscamera pros: simple controls cons: flimsy construction best uses: home, travel
when use as a slave it helps me turn my living room into a studio.
it is, in my opinion, the best flash for the digital rebel/digital rebel xt.
summary: just snap it on your canon digital camera and take really good pictures without worry.
this flash works pretty well ...i am using it on my canon digital rebel xti and it works great...
as an amateur photographer i'd highly recommend this nikon product.
the only drawback is that it doesn't swivel, so you can't bounce the flash when shooting in portrait orientation.
summary: i wasn't certain if i would need a speedlight with my d50, but after reading up on it and seeing some pictures online, i was convinced that it would help improve my photos.
my photos were much more natural when i bouncened it off the ceiling with the speed light.
it also can fill flash outdoors to over 15 feet, which helped a lot taking pictures of hummingbirds in flgiht, which i couldn't do nearly as well without the sb-400.
I used this flash for party.
I'm brand new to slr photography, but I knew I needed a good flash.
So I'm just getting started into photography and I own the Sony A300 and just recently bought the flash, It's amazing!
This flash has taken my photography to new levels.
This is a kick-ass little strobe that I wish I could use on my other cameras.
i like it so much i am buying another one and using them like having a studio flash one on each side of the subject in addition to the direct one on the camera.
i tried to save money by buying a sunpak slave that was triggered (like the hf-dc1) by the camera's built in flash and was supposed to work with all digital cameras but it failed to work with the s3.
also, keep the diffuser and hold it with your hand if you must but use it to take better portraits, the flash is simply to much and this will make your portraits much better (look at the skin tones
turn it off or use it on minimum when using it for portraits since it may lighten too much the subjects' faces.
using it my s2is set on tv, i set the shutter speed at about 1/60 with the iso at100, i was able to stand in the 3rd row seats which put me about 40'-50' from center of stage.
i know it's designed for macro use, but i've been using it for portraits and get a truly stunning, evenly lit picture (if you leave the lite on the lens).
i tried to save money by buying a sunpak slave that was triggered (like the hf-dc1) by the camera's built in flash and was supposed to work with all digital cameras, but it failed to work with my
except for the high price, i would recommend it to anyone who has a canon powershot digital camera.i did not rate it 5 stars because i beleive it is unnecessarily overpriced.
the accompanying instruction book is very complicated & hard to understand (for a novice).
describe yourself: professional pros: consistent output, fast recycling, lightweight, versatile best uses: fill flash, lighting, macro photography, photojournalism
i'm not a professional photographer so i'll leave the more thorough product reviews to those that are.
Excelent equipment as usual from Nikon.
If you have a D40, or D70 & some other models then the R1C1 is needed.
i believe most of us won't go wrong by choosing it, unless you do really advanced lighting studio work.
it does a nice job of softening the light for portraits especially.
second, the flash does not allow for simultaneous use of the built-in speed light along with it (like the 50dx does).
i'm using it with a film slr so i can't take advantage of all the features until i get a digital.
4 ni-mh digital camera aa's powered it well over 150 flashes without them showing a sign of dying.
i use with nikon cls and have replaced all my studio stobes with sb-900s.
but does a much better job then any flash i've come across.great for weddings, and professional sport events.
this flash has enough options to make the professional happy, and easy enough (right out of the box) so that they everyday user gets quality results.
i have also been experimenting with it for studio type lighting and it definitely can hold its own in that usage too!
pre-flashes coordinate light at the time of exposure, and i've gotten some great photos with it, particularly portraits.
great for all those "portrait" moments that you want to keep.
this is a good flash with many advance features which can only be found in a high end and expensive unit.
but if you are a beginner this is a really powerful basic flash for the money.
i am an amature hobbyist photographer and i purchased this flash last summer and have used it extensively for my outdoor macro work.
there's a bit of a learning curve -- but when i tried manually setting the aperature (f22 is my lens's "sweet spot") and a shutter speed of 1/200 -- iso 100 -- all of the exposures were perfect,
there are times when i have to capture moving subjects, and the high speed sync function works great when you need to push a faster shutter speed but still keep the fill flash ability.
after years of manual flash macro work, recently in digital format with extension tubes on the canon 100mm macro lens, i decided to cast a onsiderable sum of money at this twin light.
i ame a newbie to macro photography and just love this flash.
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